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Literature und Music: Woyzeck and Wozzeck.Alban Berg's Musical Adaptation of the drama by Georg Büchner
Stanovská, Tereza ; Haupenthal, Thomas Maria (advisor) ; Glosíková, Viera (referee)
TITLE: Literature und Music: Woyzeck and Wozzeck. Alban Berg's Musical Adaptation of the Drama by Georg Büchner. SUMMARY: This thesis deals with a musical adaptation of the opera Wozzeck by the composer Alban Berg in the context of its literary model. The theoretical part offers an overview of the most important information and data about the authors and the origin of their works, based on the relevant sources. In the practical part, the principal emphasis is put on the libretto, specifically on formal and language similarities and differences detected in the text and their impact on the content and message of the work. Another focus is on musical language and its essential features, especially on the treatment of the voice, instrumentation and motives in the opera. The attention is also paid to the occurrence of autobiographical elements and critical reviews of the work. KEYWORDS: opera, drama, Woyzeck, Wozzeck, Alban Berg, Karl Emil Franzos, libretto, scenes, elision, alteration, literary model
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Literature und Music: Woyzeck and Wozzeck.Alban Berg's Musical Adaptation of the drama by Georg Büchner
Stanovská, Tereza ; Haupenthal, Thomas Maria (advisor) ; Glosíková, Viera (referee)
TITLE: Literature und Music: Woyzeck and Wozzeck. Alban Berg's Musical Adaptation of the Drama by Georg Büchner. SUMMARY: This thesis deals with a musical adaptation of the opera Wozzeck by the composer Alban Berg in the context of its literary model. The theoretical part offers an overview of the most important information and data about the authors and the origin of their works, based on the relevant sources. In the practical part, the principal emphasis is put on the libretto, specifically on formal and language similarities and differences detected in the text and their impact on the content and message of the work. Another focus is on musical language and its essential features, especially on the treatment of the voice, instrumentation and motives in the opera. The attention is also paid to the occurrence of autobiographical elements and critical reviews of the work. KEYWORDS: opera, drama, Woyzeck, Wozzeck, Alban Berg, Karl Emil Franzos, libretto, scenes, elision, alteration, literary model
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Process of creating a visual concept of an audiovisual work
Lukomskaia, Valeriia ; Truhlář, Filip (advisor) ; Mezuláník, Radek (referee)
The thesis discusses the process of creating a visual concept from the script to finished audivisual work. The theoretical part contains defenition of term audivisual work, analysis of options of visual means of expression and the ways it effects the perception of the audience. The practical part demonstrates how obtained theoretical knowleges can be applied in practice. The thesis might be used as a guide for aspiring film directors and cameramen. It also might seem interesting to movie lovers who would like to take a look on audiovisual works from the more specific perspective.
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